It was my intention to keep Rinchen' s gaze still rather reproachful. Not because of the individual injustice done to him in his own life. He never was a men of revenge or resentment. But because, however, of all the remnants from previous era - e.g. incapability, half-education or dogmatism - which halt his beloved motherland from becoming a self-confident free country that he used to dream about. He was always irritated by laziness or narrow-mindedness, could not stand mindlessness. His slashing criticism and irony to that end was not of a kind that ambitious fools could ever swallow... |
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Even the pedestal plays its role in this piece of symbolism and appeal for historical justice. White granit is a variation on Buddhistic symbol of purity above the Lotus blossom. Brown-red quarzit reminds of blood spilled under the communist regimes. The black frame of Mongolian marble resembles the bars of totality or discrimination anywhere in the world. And Rinchen' s signature in classical Mongolian script of the 13th century is a reminder of his determined defense of this beautiful script, which he understood being a precious and in the 1930-ies highly vulnerable bond of national identity, cultural consciousness and wisdom |
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Rinchen's graceful and respectful occurrence in the streets of Ulaanbaatar used to make those who were not full of complexes to greet him as their own grandfather or a teacher. That is probably why his monument in front of the National Library have immediately after its opening became a natural place of rendezvous, lunch breaks and flower tributes. It filled this corner of our city with pleasant friendly and young atmosphere - like a bridge between books and people' s minds. If nothing else, this itself was the worthy result of our endeavor. Back to monuments << |